is noted for his work with Yo-Yo Ma’s Silk Road Project albums and for the wide range of music he performs. His latest album on the Reference label is called West of the Sun/Music of the Americas. He performs works by composers from North and South America, including fun pieces by Louis Moreau Gottschalk, Ernesto Nazareth and Astor Piazzolla. The CD also includes larger works such as piano sonatas by Alberto Ginastera and Samuel Barber.Martha Argerich performs yearly in a festival of concerts on the shore of Lake Lu
gano in Switzerland, joined by a group of outstanding musicians. Some of them are well-established artists, old friends of hers, while others are young musicians whose careers she wishes to enhance. The 3- CD set of Martha Argerich and Friends from 2008 has just been released. It features familiar chamber music by composers such as Mozart, Schumann, Rachmaninov and Shostakovich along with more rarely heard pieces. For example, the Piano Quintet in D by Anton Arensky on this CD has been only infrequently recorded. We look forward to this set every year. We also recommend th
e new CD by Maurice Steger and his ensemble, called Venezia 1625. Steger plays the recorder wonderfully, and the recording is technically superb, as expected in a Harmonia Mundi release. It is the choice of selections that really elevates this CD, though. Thoughtfully chosen from the golden age of Venetian instrumental music , these are some of the best examples of music by such composers as Marco Uccellini, Tarquinio Merula and Giovanni Battista Fontana. The disc is a pleasure to listen to. Polish composer Henryk Górecki wrote his third symphony in 1976. Though widely
known in Poland, it wasn’t until 1992, when Dawn Upshaw released a recording of it with the London Sinfonietta and David Zinman, that the work became a hit in the rest of the word. It climbed to the top of the classical-music sales, and even did well on pop charts. A new recording of the Symphony of Sorrowful Songs has been released by the Atlanta Symphony Orchestra under Donald Runnicles with Christine Brewer as the soprano. This is still profound and appealing music, well performed here, but it’s difficult not to compare it to Dawn Upshaw’s magnificent rendition. 















